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Night Sky with Exit Wounds, by Ocean Vuong
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Winner of the 2016 Whiting Award
One of Publishers Weekly's "Most Anticipated Books of Spring 2016"
One of Lit Hub's "10 must-read poetry collections for April"
Michiko Kakutani in The New York Times writes: “The poems in Mr. Vuong’s new collection, Night Sky With Exit Wounds…possess a tensile precision reminiscent of Emily Dickinson’s work, combined with a Gerard Manley Hopkins-like appreciation for the sound and rhythms of words. Mr. Vuong can create startling images (a black piano in a field, a wedding-cake couple preserved under glass, a shepherd stepping out of a Caravaggio painting) and make the silences and elisions in his verse speak as potently as his words…There is a powerful emotional undertow to these poems that springs from Mr. Vuong’s sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things.”
“Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker
“The language is painfully, exquisitely exact, the scenes haunting and indelible…. Highly recommended.”—Library Journal, starred review
"Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016"
"This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation
"Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub
"Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate
“In his impressive debut collection, Vuong writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity.”—Publishers Weekly
"What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee
Torso of Air
Suppose you do change your life.
& the body is more than
a portion of night—sealed
with bruises. Suppose you woke
& found your shadow replaced
by a black wolf. The boy, beautiful
& gone. So you take the knife to the wall
instead. You carve & carve
until a coin of light appears
& you get to look in, at last,
on happiness. The eye
staring back from the other side—
waiting.
Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.
- Sales Rank: #11293 in Books
- Published on: 2016-04-05
- Original language: English
- Number of items: 1
- Dimensions: 7.30" h x .40" w x 5.40" l, .0 pounds
- Binding: Paperback
- 70 pages
Review
WINNER of a 2016 Whiting AwardFeatured on NPR's "All Things Considered"Featured on PBS NewsHourHuffington Post's 12 Great Poetry Books to Read
Publishers Weekly 2016 Poetry Top 10Buzzfeed Most Exciting Books of 2016
"The poems in Mr. Vuong's new collection, Night Sky With Exit Wounds, possess[es] a tensile precision reminiscent of Emily Dickinson's work, combined with a Gerard Manley Hopkins-like appreciation for the sound and rhythms of words...There is a powerful emotional undertow to these poems that springs from Mr. Vuong's sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things."--Michiko Kakutani, The New York Times
"[A] masterpiece that captures, with elegance, the raw sorrows and joys of human existence." --BuzzFeed Books
"Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition....His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion."--The New Yorker
"Extraordinary." --Los Angeles Times
"...[T]errifying, heartbreaking, surreal, and lyrical-I'm not quite sure how a poet can fit so much humanity into so few words. Ocean Vuong creates and poses alternate universes within these poems. He stands at the feet of American poetry and unties the masters' shoelaces. Night Sky With Exit Wounds is a must read and re-read, a book that will be cherished." --Lambda Literary Review
"[A] haunting and fearless debut." --Publishers Weekly
"This book, with all of its fears, is probably what you've been hoping for."--Kenyon Review
"This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level." --2016 Whiting Award citation
"In Vuong's "Night Sky," the entry and exit wounds are real, torn open by gunshot and "misfired" words, but his poems insist we can be made whole by rapture."--San Francisco Chronicle "Vuong's major contribution in Night Sky With Exit Wounds is to push back against the inclination to let fear define the exile's life." --LA Review of Books'[O]ne reason Vuong's debut collection Night Sky with Exit Wounds feels so exquisite, so necessary, is that he offers another way to hold the present moment. --Georgia Review
"Vuong's powerful voice explores passion, violence, history, identity--all with a tremendous humanity." --Slate
"[A] debut that will cement Vuong's status as one of the most important new poets writing today." --Rain Taxi
"Vuong's pitch-perfect approach, through the legacy of war and forced displacement, shows us why we can't afford to let him remember them alone."--The London Magazine
"At a time when poets are resigned to making boredom a commodity, [Vuong] reminds us that the limits of intimacy are an exhilarating frontier, and that the most urgent communications begin with the overture of letting down one's defenses."--The Rumpus
"Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."--LitHub
"I haven't been so moved by a first book since Richard Siken's Crush in 2005, and it became an anthem to a generation of young poets. I imagine that Vuong's Night Sky with Exit Wounds will similarly inspire, rally, and break a new path--of thinking, feeling, and writing--for all who encounter it." --Green Linden Review
"Occasionally there is a book so exquisitely realized that a reviewer wants simply to point to it and say "read this." Ocean Vuong's Night Sky with Exit Wounds is such a book."--BODY Literature
About the Author
Ocean Vuong is the author of Night Sky with Exit Wounds (Copper Canyon Press, 2016). His poems appear in Kenyon Review, The Nation, New Republic, The New Yorker, The New York Times, Poetry, and The American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Born in Saigon, Vietnam, he lives in New York City.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Powerful and unforgettable! LOVE!
By Meg Tuite
Mesmerizing, unforgettable, and a heart open in your hand. Vuong holds back nothing. This is one to reread and keep on the desk. To hold tight to the connection of why we write!
"When our lips touched the day closed
into a coffin. In the museum of the heart
there are two headless people building a burning house.
There was always the shotgun above..."
"Depending on where you stand
your name can sound like a full moon
shredded in a dead doe's pelt.
Your name changed when touched
by gravity. Gravity breaking
our kneecaps just to show us
the sky. Why did we
keep saying Yes–
even with all those birds.
Who would believe us
now? My voice cracking
like bones inside the radio.
Silly me. I thought love was real..."
Get this collection! You won't get closer to a heartbeat than this!
9 of 10 people found the following review helpful.
Rewarding from the start, I will read over and ...
By annieb
Rewarding from the start, I will read over and over. Describing his life as a refugee, to a country that might not accept him now was bittersweet. Trying to find my way in his poetry has given me some perspective on that struggle.
5 of 6 people found the following review helpful.
Incredibly Powerful, Emotionally Descriptive and Superbly Imaged
By D. M. Jitchotvisut
Ocean's writing is incredibly powerful, emotionally descriptive and superbly imaged. Taking events and objects that are not generally seen as subjects for poetic writing, he has found a way to carry his message directly to the readers' hearts. Aubade With Burning City will continue to haunt me with its use of the popular Christmas carol, "White Christmas," to frame the frightening and tragic emergency evacuation of Saigon at the end of the Vietnam war as experienced by the common man and woman. I hope that Night Sky with Exit Wounds is only the first of many collections of Ocean's writing that will be offered to the reading public.
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